Add to ORKGThe interview focuses on poetry and jazz, and Lee's use of rhythm and meter. There is a discussion of many other poets including, Wallace Stevens, John Ashbery, Al Moritz, Marlene Cookshaw, Don McKay, Fred Wah, Paul Celan and Philip Lamantia. Lee discusses the books he is reading, as well as his current projects
Tim Seibles is the author of Buffalo Head Solos (Cleveland State University Press, 2004), Hammerlock...
Poet Raymond Souster looks back over almost seventy years of poetry, discussing his very early devel...
Tape 156, side 1, part A) Kenneth Patchen reading his poetry: "I got the fat poet into a corner" (0:...
The article presents an essay that finds the relation among jazz, song and poetry. In 1985 Larry Cor...
Jazz music and spoken poetry evoke the aurality of the moment. They cannot be rewound, or redone the...
Tape 106, side 1, part A) Jazz (0:02). Lawrence Lipton interviews Stuart Z. Perkoff (0:07) on his de...
I began writing poetry at the age of 23. I started as a jazz musician; a pianist, composer, & improv...
Philip Larkin wrote about jazz at times in contradictory terms but with a passion and devotion which...
Qu’est-ce que “observer et décrire le rythme” signifie? Et est-ce que notre capacité de procéder à p...
Carl Phillips\u27s works include the poetry collections “In the Blood,” “Cortège,” “From the Devotio...
This article provides some details about the life of the English poet Philip Larkin. This enigmatic ...
A review of Good Day For Cloud Fishing, Ben Goldberg, Nels Cline, Ron Miles, Dean Young (CD + bookle...
Nigel Butterley gave an illustrated presentation on this subject as a keynote lecture. In an effort...
Dan Ouellette on Uri Caine: One of the most creative and forward-moving jazz artists today, Uri Cain...
Maurice Manning has published five books of poems, the most recent being his The Gone and The Going ...
Tim Seibles is the author of Buffalo Head Solos (Cleveland State University Press, 2004), Hammerlock...
Poet Raymond Souster looks back over almost seventy years of poetry, discussing his very early devel...
Tape 156, side 1, part A) Kenneth Patchen reading his poetry: "I got the fat poet into a corner" (0:...
The article presents an essay that finds the relation among jazz, song and poetry. In 1985 Larry Cor...
Jazz music and spoken poetry evoke the aurality of the moment. They cannot be rewound, or redone the...
Tape 106, side 1, part A) Jazz (0:02). Lawrence Lipton interviews Stuart Z. Perkoff (0:07) on his de...
I began writing poetry at the age of 23. I started as a jazz musician; a pianist, composer, & improv...
Philip Larkin wrote about jazz at times in contradictory terms but with a passion and devotion which...
Qu’est-ce que “observer et décrire le rythme” signifie? Et est-ce que notre capacité de procéder à p...
Carl Phillips\u27s works include the poetry collections “In the Blood,” “Cortège,” “From the Devotio...
This article provides some details about the life of the English poet Philip Larkin. This enigmatic ...
A review of Good Day For Cloud Fishing, Ben Goldberg, Nels Cline, Ron Miles, Dean Young (CD + bookle...
Nigel Butterley gave an illustrated presentation on this subject as a keynote lecture. In an effort...
Dan Ouellette on Uri Caine: One of the most creative and forward-moving jazz artists today, Uri Cain...
Maurice Manning has published five books of poems, the most recent being his The Gone and The Going ...
Tim Seibles is the author of Buffalo Head Solos (Cleveland State University Press, 2004), Hammerlock...
Poet Raymond Souster looks back over almost seventy years of poetry, discussing his very early devel...
Tape 156, side 1, part A) Kenneth Patchen reading his poetry: "I got the fat poet into a corner" (0:...